Haunted Crucifix Used At Conjuring House Burrillville RI

"The Conjuring" house, also known as the Arnold Estate, is located in Harrisville, Rhode Island. The property gained notoriety after the Perron family's reported haunting experiences in the 1970s, which were later depicted in the 2013 horror film "The Conjuring."

The history of the house itself dates back to the 18th century when it was built by a man named Dexter Richardson. Over the years, the property changed hands multiple times before the Perron family moved in during the 1970s. The Perron family consisted of Roger and Carolyn Perron and their five daughters.

According to the Perron family's accounts, they experienced various paranormal activities while living in the house. These activities included unexplained noises, objects moving on their own, apparitions, and other frightening occurrences.

The renowned paranormal investigators Ed and Lorraine Warren were called in to investigate the house and the reported hauntings. Their experiences at the Arnold Estate were among the cases they considered to be some of the most disturbing in their extensive careers.

While the history of the house is rich with alleged paranormal events, it is important to note that some skeptics have questioned the validity of the claims made by the Perron family and the Warrens. However, the story of the haunting at the Conjuring house continues to captivate many people and remains a significant part of paranormal lore.

**Please see photo for measurements**

In the dead of winter, a seasoned paranormal investigator named Tom decided to rent the infamous Conjuring House for a private investigation. With a reputation for sinister hauntings and dark entities, the house had long been a magnet for those seeking to uncover its malevolent secrets.

Tom arrived at the house with an arsenal of equipment, but he decided to bring something unconventional: two antique crucifixes. The crucifixes, worn and etched with symbols of faith, was intended as a trigger object—a way to provoke or summon spirits into revealing themselves. He hoped it would aid in his investigation, but he had no idea the crucifixes would become the vessel for something far more sinister.

As night fell and shadows crept across the ancient walls, Tom set up his equipment in the dimly lit parlor. He placed the crucifixes in the center of the room and began his séance. The air grew heavy and oppressive as he chanted incantations, the room echoing with his voice and the creaking of the old house.

At first, nothing happened. The crucifixes seemed innocuous, its mere presence blending into the dark decor of the room. But then, Tom felt it—a shift in the atmosphere, a cold draft that seemed to coil around him like a serpent. His equipment crackled and flickered, and a low, guttural growl emanated from the walls.

The air turned icy, and shadowy figures seemed to flit in the corners of his vision. The crucifixes began to tremble, its wooden frame vibrating as if some unseen force was trying to break free from its confines. Tom’s heart raced as he continued the séance, oblivious to the growing malevolence that was stirring around him.

As the night wore on, the manifestations grew more intense. Objects in the room moved on their own, and the once-muted growls turned into anguished screams. Tom could barely keep up with the chaos unfolding before him. Desperate to end the torment, he decided to leave the crucifixes in the house and pack up his gear.

But when Tom returned home, the nightmare truly began.

From the moment he crossed the threshold of his house, the atmosphere was different. A heavy, suffocating presence seemed to follow him, and the once-peaceful environment quickly turned hostile. Doors slammed shut on their own, and he began to hear whispered voices in the dead of night—dark, twisted murmurs that seemed to come from everywhere and nowhere.

Sleep became elusive as night after night, Tom was plagued by vivid, nightmarish visions. Shadows danced at the edge of his sight, and he felt an oppressive weight on his chest, as if invisible hands were trying to drag him into darkness. The once benign crucifixes had become an anchor for the malevolent spirits that had latched onto it.

In desperation, Tom reached out to other investigators and experts in the field, but their advice offered little solace. They spoke of how objects like the crucifix could become conduits for entities, drawing them in and allowing them to attach themselves to those who interacted with them.

One evening, as Tom sat in the dim light of his living room, he noticed the crucifixes on the mantle—the same ones he had brought home from the Conjuring House. It was now dark and twisted, its once-holy symbols warped into grotesque shapes. It seemed to pulse with a life of its own, and Tom knew he could no longer keep it.